2022 -
fake[dac~]
Founded in 2022 by Stephen Monslow (UK) and Luis Sanz (Switzerland), fake[dac~] is an interdisciplinary platform that functions as an online broadcaster, artist collective, and event series. Focused on advancing research and creative practice in audio-visual arts, fake[dac~] operates at the intersection of art, technology, and algorithmic processes.
Since its inception, fake[dac~] has established itself as one of the most important spaces for live coding and audio-visual performances, gaining a strong reputation within the international scene. The platform’s influence continues to grow, extending its network to Switzerland and Asia, and fostering a global community of artists.
fake[dac~] showcases computer musicians and visual artists working with a variety of mediums, particularly those engaging with algorithmic processes like live coding and computational aesthetics. The events are designed to be dynamic and engaging, bridging the worlds of digital art and club culture. By offering a platform for collaboration, fake[dac~] fosters critical discussions about the evolving role of technology in contemporary creative practices.
Since its founding, fake[dac~] has hosted 7 events and a workshop, featuring a diverse range of performances from renowned artists like End Measure, Picofrom, Chris Speed Visuals, Michael-Jon Mizra, Eecolagbohrsac 2021, +777000, Nunez, Bad Circulation, Digital Selves, Hellocatfood, Ayebaitari, Mosaictapes, 8trone, Heavy Lifting, Obscenity State, Ruin Theory, Jung Latch, Tyger Blue, Eye Measure, Trampbunny, Brickwork, Hanaphora, Collapse, Innocent, Liimxa, Ler-Ka, ODMTt?, Elin, Mah[alias], Syntəl8, Soft Blade, Joana.art, Xodyl, Ayankoko (Laos), Basch (Mexico), Nesso (Netherlands), Zhanlan Wang (China) and Yoshi Kosaka (Japan).
"Boasting an immersive installation featuring AI-generated visuals, live-coded music and a deep well of audiovisual talent, fake[dac~] blurs the line between art exhibition and club night."
- Jonni Cobb