Luis Sanz is a Peruvian-born, Zurich-based multidisciplinary artist, researcher, and curator working across computer music, experimental sonics, and algorithmic autonomous behaviours. His practice investigates the sensory and architectural boundaries of digital media, combining formal precision with raw, confrontational electronic expression.
Central to his current research is the exploration of neural audio synthesis, computable perception, and rhythmic structures through live coding, focusing on rhythmic systems shaped by the transatlantic slave trade and their transformations across Latin America.
A key facilitator in the Swiss scene, Sanz is part of unsorted, a collective and space dedicated to interdisciplinary practices in sound, image, and code in Zurich. He holds a Master of Arts from the Bern University of the Arts (HKB) and has presented work at Berlin Atonal [DE], CTM Festival [DE], Localhost Festival [CH], Jogja Noise Bombing [ID], A Bunch of Noise [CN], and Proyecto AMIL [PE], touring extensively across Asia, Latin America, and Europe.